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1. Project for a fan mount, pencil, watercolour and gouache on paper, France, first quarter nineteenth century.

2. The blades of blonde bone with sequins, the mount of voile with gold sequins, (with impressed gold paper box), France, late nineteenth century.

3. The blades of decorated white bone, the red silk mount with sequins, France, early nineteenth century.

4. The brisé fan blades of brown bone with ribbon and sequins, the mount of silk and organza, France, early twentieth century.

5. The brisé fan blades of ivory with ribbon, the guard bearing a woven “RC” monogram and aristocratic crown in gilt metal, Austria, early twentieth century.

6. The blades of decorated mother-of-pearl covered in gold leaf, the mount of painted paper, France, late eighteenth century.

7. The blades of openwork and gilt ivory with figures, the mount of printed and coloured parchment, France, mid eighteenth century.

8. The blades of openwork and gilt white bone, the mount of painted silk, France, late eighteenth century.

9. The cabriolet blades of “centofacce” tortoiseshell, with inserts of ivory and silk, Canton, ca. 1895.

10. Bosco Sodi, Untitled, mixed media on fan, 20 x 34 cm, courtesy of the artist.

11. The blades of mother-of-pearl with inserts of gilt metal, the mount of painted paper, France, second half eighteenth century.

12. The blades of mother-of-pearl with gold decorations, the mount of painted paper, France, first half of the eighteenth century.

13.The blades of mother-of-pearl, the mount of printed and coloured paper, signed: “M.R. Delavault”, France, eighth decade nineteenth century.

14. The blades of mother-of-pearl with added sequins, the mount of organza with sequins of various forms, France, late nineteenth century.

15. The blades of white bone engraved with gold, the guard of gilt metal with decoration in relief, the mount of painted silk adorned with sequins, France, late eighteenth century.

16. The cabriolet blades of mother-of-pearl engraved with gold, the painted mount with sequins and figures, signed: “Pontrebon”, France, early nineteenth century.